* Stock items ship from Strongblade in 1-3 days. Please allow an additonal day for engraving or sharpening.
This is an official, licensed prop replica from the 300 Graphic Novel by Frank Miller. Available sharpened or unsharpened. We do have a very limited number of scratch and dent, non-sharpened ones with minor damage to the sheaths. Grab those while they last.
Holy Cow! Can you believe the number of cheap, flimsy 300 Spartan Sword knockoffs on the market? We bought three different knockoffs and banged them firmly against heavy metal cabinet and two of them broke on the first hit. How's that for buyer beware?
I could go into some cheesy marketing statement like "good things come to those who wait" or "You get what you pay for," but I won't. (editor's note: You already did). Stay out of this, you mysterious and ambiguous editor guy. What I mean to say is, good swords take a while to design and manufacture. At Strongblade, we haven't seen a truly good 300 Spartan sword come out on the market. But all that is about to change. We present, the Windlass battle-ready 300 Spartan Sword, designed by none other than Frank "I wrote the 300 graphic novels that got turned into the movie that everyone is so excited about" Miller. That's right, these swords are true to his original design in just about every detail.
What details are you talking about? I hear you asking (yeah, my hearing is THAT good). I'm glad you asked. For one, there is a deep, impressive fuller running through the center of this blade. Have a look at the graphic novels and you'll see that Frank (I call him Frank because I've never met him yet want you all to think that we're tight) had Lynne Varley (the artist) render all of the swords with "blood grooves" (aka, fullers).
But enough talk about my friend Frank and his designs. Let's talk about this SWORD!. The blade is made from 1095 high carbon steel, full tang, fully tempered and awe-inspiring. And get this, the guard is made from Admantium!!! Okay, okay, so it's not made with admantium. But it's so freakin' tough, that you'll think it is. It's actually made of tough, solid steel (meaning it's pure steel all the way through, not a brittle zinc alloy or other pseudo-metal).
The sword is battle-weathered to look like it's killed a thousand Persians (no offense to current Persians. Let bygones be bygones and all that). It comes with a beautiful, weathered leather scabbard (yeah, real leather, not canvas or other psuedo-leather like these brittle knockoffs come with. If they come with scabbards at all).
This is without doubt the best 300 sword to hit the market and it'll be gone faster than you can say "This is Sparta!" Grab yours now because they'll probably be sold out before they even get to us.
Materials: Blade: 1095 High Carbon Steel, Fully Tempered and Full Tang. Guard: Solid Steel. Scabbard: Genuine Leather.
Length: 30 inches overall
Weight: 3lbs (approx.)
You know your civilization is tough when it's very name comes to mean "warlike".
The Spartans were reknowned for their ferocity and for their military strength and skill. Of the Greek city-states, the Spartans were one of the few who actually had a standing army with professional soldiers. Most of the other city-states had sitting armies who would rarely stand at all. Okay, just jokes. Other Greek city states had armies composed of citizen soldiers who would arm and equip themselves at times of war, but no real standing professional army. The Spartans had a strict military philosophy that made them strive to be as strong and disciplined as possible and to do away with all other distractions (In addition to "warlike" the name Spartan has come to mean simple and sparse).
Ancient artwork on vases, urns and the like depict Greek warriors fighting nude or with very little armor. This is a stylized version of warfare -- a dreamy artistic interpretation of fighting, man versus man in the simplest, most pure sense of the term. Frank Miller, in his graphic novel 300, took his cue from these types of artistic renderings, giving his Spartan soldiers a jock strap, a shield, a helmet and little else. This certainly looks impressive (particulalry when your actors work out obsessively for 6 months before shooting) but is not exactly how Greeks fought. The hoplite, a standard unit in Greek militaries, was a heavily armored soldier, with a steel or bronze cuirass (breastplate for you who don't speak Spartanese), heavy greaves on their legs, vambraces on their arms, helmets and mud flaps with silhouettes of naked women on them (okay, no mud flaps). Thus armored, the hoplites were: A. Well protected from just about any type of attack, B. Heavier, thus allowing them to push their opponents backward when meeting shield-to-shield and C. No fun in swimming competitions.
Greeks fought as a unit known as a phalanx. They grouped themselves together tightly, using their shields to cover themselves and part of the soldier to their left. In this way, every shield covered half of two people. Their own shield covered their left and their neighbor's shield covered their right, so that every soldier was fully covered from the knees to the shoulders. Their heads were protected by a large helmet and their legs by sturdy iron or brass greaves (usually sculpted to look like legs). In their right hands, they carried a long spear with a rounded leaf-blade. The spear typically had an iron or brass spiked butt which helped to balance it and could also be used to stab with if the spearhead broke. On their waist, Greeks carried a short leaf-bladed sword. This was used when the fighting got very close or their spears were mangled beyond use.
The fighting style of Greek soldiers (particularly the phalanx units) was fairly simple. They would march forward, sometimes at a run, and slam into their opponents. The two rival units would meet shield to shield, spear to spear, and begin shoving and stabbing at one another (This was exemplified in the movie 300 by the memorable scene of Leonidas' Spartans stylistically shoving their opponents off a cliff). When the soldiers of one unit started to fall, their unit tended to disintergrate like a chain with breaking links. When enough men fell in one formation, the remaining men tended to turn and flee, knowing that to stay was death. Greeks generally placed the strongest, most experienced warriors in both the front and the rear of the formation. The ones in the front bore the brunt of the initial charge. The ones in the back kept the unit together for as long as possible if things started to go badly (and also turn and face enemies that might flank them). Sometimes neither unit would gain a clear advantage and the fighting would break down into hundreds of small combats between the men, usually with swords.
The Spartan poet Tyrtaeus, a warrior himself, wrote extensively about the horrors and glories of phalanx formations. Liek this little gem:
Our soldier should be disciplined in the work of the heavy fighter,
and not stand out to the missiles when he carries a shield, but go forward and fight at close quarters and with his long spear
or short sword, thrust home and strike his enemy down.
Let him fight toe to toe and shield against shield hard driven,
crest against crest and helmet against helmet, chest against chest;
let him close hard and fight it out with his foeman,
holding tight to the hilt of his sword, or to his long spear.
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The flintlock pistol
was the greatest advance in pirating
since the wooden leg. The concept was fairly simple: gunpowder was stuffed into the barrel. A lead ball, usually wrapped in some sort of fabric, was stuffed in. A hammer was then pulled back half-way and left that way until the gun was ready to fire. The pistol technically was not meant to fire in this position, although sometimes they were known to go off half-cocked (and yes, that is the origin of that expression). When the gun was ready to be fired, the hammer was pulled back all the way and the trigger was squeezed. If you're feeling flinty, go check out the Strongblade
selection of flintlock pistols
, blunderbuss pistols
and flintlock rifles
Keywords: 300, sword, spartan, battle ready, Leonidas, frank miller, greek, sparta